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An Artist's Guide to the Law


An Artist's Guide to the Law

Richard Amada

 

2010 • 978-1-58510-356-0 • paper • 205 pages •  6 x 9  •  $19.95

 

| About the Authors | Table of Contents | Preface | Review
Sample Pages       Buy This Book

 Description                                             

A readable guide to the law as it relates to artists and creative people. It give a general overview of key legal concepts important to US artists and includes landmark cases for reference.

 

 Author                                                    

Richard Amada is an attorney in the Washington, D.C. area. His practice often includes assisting artists with a variety of legal issues. He has won various awards as both a playwright and as a TV journalist, including an Emmy. His passion for the arts also leads him to make time for acting, directing, and composing music.

 

 Table of Contents                                      

Acknowledgments

Introduction

What Does the Artist Own?

          The Bundle of Sticks: Property Law Basics

          Copyright Basics

          Attaining, Using, and Keeping a Copyright

          Trademark Basics

What Is the Artist Selling?

          A Meeting of Minds

          Sale of the Whole vs. Sale of Specific Rights

          Licensing

          The Artist as an Independent Contractor

          The Work Made for Hire Doctrine

          The Business Form

What Can and Can’t the Artist Use?

          Original Material and Factual Matter

          Public Domain Property

          Fair Use

          Real People

          Fictional Characters

          Music Rights

What Is the Artist Allowed and Not Allowed to Say?

          First Amendment Protections

          Restrictions on Free Speech

          Defamation

How Does the Artist Protect Intellectual Property?

          Copyright Notice and Registration

          Evidence of Original Authorship

          Unfair Competition Protections

          Protecting the Pitch

          Dealing with Internet Piracy

          Digital Rights Management

What Contracts Does the Artist Make?

          Collaborators

          Visual Art or Design Purchasers

          Literary Publishers

          Music Publishers

          Recording Companies

          Agents and Managers

          Performance Outlets

          Film, Television, and Radio

What Happens to Art When the Artist No Longer Possesses It?

          First Sale Doctrine and Droit de Suite

          Droit Moral

          Artist Estate Planning

Resources

Case References

Statutory References

Index

 

 From the Preface                                   

... a writer, performer, visual artist, or other creative person, who has little to no knowledge regarding the legalities and illegalities that govern these professions, is an artist who can get into a world of trouble without even realizing it’s happening—that is, until it’s too late and the lawyers have to be called in to do a potentially costly cleanup of the mess. Much better to bone up on some basic principles of law that allow the artist to avoid potential legal pitfalls. That’s where this book comes in.

An Artist’s Guide to the Law is written especially for creative people in the arts and entertainment fields, whether professional or aspiring, who want a general overview of key aspects of the law that relate to their artistic endeavors. In the following chapters, I’ll attempt to explain in plain, simple English the answers to some basic, legal questions I believe every artist ought to know—namely:

What does the artist own?

What is the artist selling?

What can and can’t the artist use?

What is the artist allowed and not allowed to say?

How does the artist protect intellectual property?

What contracts does the artist make?

What happens to art when the artist no longer possesses it?

It should be noted that my use of the word, "artist," is merely a shorthand reference for all creative people in the arts and entertainment industries. I’ll be using the term throughout the book, and, unless I specifically reference a particular type of artist, you may assume that I’m speaking generally about all types of artists.

Ahem…Now comes the big disclaimer. Yes, that’s right. You can’t talk to a lawyer without getting a legal disclaimer.

 

IMPORTANT. PLEASE READ THIS.

THE INFORMATION IN THIS BOOK IS NOT, NOR IS IT INTENDED TO BE, LEGAL ADVICE.

 

 Reviews                                                 

Author Rich Amada has done a remarkable job in de-mystifying the legal system and basic law for creative types. Amada has written this work in a very clear and even humorous manner, making it a surprisingly easy, quick read. Anyone can readily understand the basics to how to protect one’s work and potentially maximize profits from creative labor after reading Amada’s book.

~ Andy Rodriguez, New Phoenix Filmworks

 

When it comes to relevant matters of the law, we artists often don’t know what we don’t know: Rich Amada’s book takes care of that. Rich’s background as a successful playwright and his expertise as a lawyer bring a unique depth and perspective to the subject. This journey through the labyrinth of the law is paved with abundant examples and well lit by Rich’s sense of humor. An Artist’s Guide to the Law is a reference book that belongs on the writer’s shelf next to the Thesaurus and The Complete Works of Shakespeare.

~ Ernie Joselovitz, President, Playwrights Forum

 


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